I saw Tomorrowland earlier today. I had been nervously scanning the Rotten Tomatoes meter, checking to see if the new Disney movie was gonna be a winner or a stinker. At 50 percent, I figured I had nothing to lose.
Of course, I had been following some of the periphery advertising for the past couple of years, starting with the Tomorrowland app showing various artifacts from the 1952 Box shown at the D23 Expo. The items in the box intrigued me. When I heard Brad Bird (The Incredibles) was directing the film, I knew it would be in good hands.
I liked Tomorrowland. I really liked it.
When I go into a darkened multiplex, I try to have an open mind with the movie I’m about to see. Every once in a while I’ll let outside forces cloud my judgement (*coughcough*The Phantom Menace*coughcough*), but I make it a point to get lost in the movie. If something doesn’t ring true within the context of the flick, my Spidey-senses may start tingling.
I didn’t feel that way with Tomorrowland.
I’m sure there were a few things wrong, but they didn’t detract from the experience. Mr. Bird and company sucked me into the world of Tomorrowland. I choked up in a few spots (I won’t spoil them for you), and I got a lump in my throat at the end. Now that I’ve seen it, I can go back to all those websites and read all those articles and watch videos I’ve been avoiding.
The reviews for Tomorrowland have been mixed, as that tomato-meter can attest. When I peaked at comments on various sites (which was probably mistake No. 1), some were disappointed certain things didn’t make it into the movie. Which leads into one of the worst things a moviegoer can think about:
The movie didn’t live up to the expectations in my head, so it must be crap.
I’m sure that’s what happened with the aforementioned Phantom Menace. Just about every Star Wars fan had in their minds what the movie should be, and when it didn’t emerge that way, they felt their childhoods were trampled upon, which sounds very trifle. Sure, you can critique the movie itself, but when you start saying, “Well, they didn’t put in this, this, and this. Why didn’t he put that in? THIS MOVIE SUCKS!!!1!!1!” that doesn’t lead anywhere. For once you start down the dark path, forever will it dominate your destiny. It gets worse when you critique a movie you didn’t even see.
Maybe this movie will pick up a bit more steam as the weeks roll along (it only made some $40 million over the weekend). Maybe it’ll find a bigger second life once it hits Blu-ray/DVD/digital/inserted into your brain. I hope so. It’s got a message of bringing about, dare I say it, a great, big beautiful tomorrow.